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Jason and the Argonauts (1963)
Date Reviewed: 10-2-2004
Critical Kobold Rating:

(2 out of 5 Tasty Fish)
Yeah, It's Also the Name of Our
Garage Band!
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I recalled fondly the tale of Jason and the Argonauts as one of the
many films I'd watched that inspired D&D sessions in my childhood.
Hearty adventurers, perilous sea voyages, mythological heroes and
beasts, meddling gods, magic, and villains... all the makings of a
bitchin' fantasy tale!
One might say
it was an epic story that was destined to stand as a colossus of
adventure!
(If one were the
cover blurb writer for video CDs, anyway.)
I caught Jason and the
gang again recently on TV. While it doesn't really live up to the
adventure flick I nostalgically remembered it as (thus the lower
Tasty Fish Rating), it still holds its own for cheese-O-licious
special effects, and as a lazy afternoon movie choice.
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In our saga of ancient Greece,
the Evil Dude named Pelias was wealthy and power hungry. He hatched
a scheme to overthrow the king of Thessaly, Aristo, and rule the
lands himself as the head honcho. So far, so good.
Of course, those of you familiar
with Greek tales know that no mortal who ever makes plans for
anything more complicated than a rutabaga patch is free from the
tampering of the annoying and often inexplicably vengeful Greek
gods. This pantheon, lead by Zeus the Nosy, gets involved in this
story when Pelias asks his personal fortune-teller to predict the
outcome of his Grecian power play.
The seer tells Pelias that he'll
become king of Thessaly as planned, but that Aristo's son shall
return one day and slay Pelias, taking back control of the city as
the rightful heir. The seer says that Pelias shall know this man
because he'll be wearing only one sandal. (Oh, that, and also he'll
be trying to kill you.)
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During the battle for the city, Pelias orders the children of
Aristo to be killed, so as to avoid the whole 'wrathful vengeance
from long lost heir' thing hanging over his head. However, one of
Aristo's daughters runs to the Temple of Hera, taking her infant
brother Jason, and begs the goddess for protection. At this moment,
Pelias shows up and knifes her right in the spine. Unfortunately for
him, Hera had heard the girl's plea for help, and now the deity is
furious at the usurper for slaying someone praying to her in her own
temple. Before Pelias can finish off the baby, one of Hera's
priestesses appears, and tells Pelias to lay off; the kid, Jason, is
under the goddess' protection. If Pelias messes with him, Hera will
zap his ass.
* * * * *
Flash forward two decades. Jason
comes merrily striding along the trail somewhere in Greece, and
coincidentally blunders into Pelias' men out doing whatever it is
Greek men do in the wilderness. (Ahem...)
Now, Hera is still fuming about Pelias, and wishes to help Jason
kick his ass. However, Zeus has decreed that Hera may help Jason no
more than five times during his quest to reclaim the throne.
(Another staple of classic Greek mythology is the inclusion of
totally random stipulations being placed on situations by gods.
It’s like they’re all missing a few days of medication.)
So, Hera causes Pelias' horse to
throw him into a river, almost drowning him. Jason, not knowing who
Pelias is, rescues him. As he helps Pelias from the water, the
dastardly king notices that one of Jason's sandals was lost in the
river during the rescue.
Gasp! The man with one
sandal! The man prophesied to destroy Pelias! The evil king has but
one option... invite Jason to brunch.
For no discernible reason, over
lunch Jason tells the man he rescued (whose name Jason never
bothers to ask) that he's on his way to overthrow King Pelias
and reclaim the throne. (Oooooookay. Highly trained in the art of
subterfuge, are ya, Jason?) Now, Pelias can't kill Jason outright or
he'll bring Hera's wrath down upon his own head, so, thinking fast,
Pelias points out that Jason has no army. One good way to attract an
army, says Pelias, is to find the legendary Golden Fleece. The
reasoning being, I suppose, is that grown men will flock to the
banner of a guy carrying glittery wool around. Hell, it worked for
Liberace…
Jason's all, like, yah, what-evah,
dude, and goes about his way. Then, in the most heinously cheesy
part of the flick, Jason is suddenly accosted by Mercury. (Or
possibly Hermes. I can't keep the two versions of the god apart).
Jason is taken to Olympus, where Zeus and Hera tell him that the
Fleece is real, and if Jason snags it, his plan for vengeance
just... might... work!
Back on earth, Jason goes to his
sexually ambivalent exhibitionist buddy, the aging shipbuilder
Argos. (OK, to be fair, I don't know that Argos is a nudist.
I'm just sayin' that he spends practically the whole movie runnin'
around in a damn diaper sorta' outfit, lounging on boat decks and
exhorting sweaty sailors to work harder. You do the math.)
So Argos builds a ship for Jason,
and they install a wooden Hera's head as a good luck charm. Upon
assembling a crew, Jason is "lucky" enough to get Hercules as a
recruit! Wow! Herc! This dude can kick some serious ass, right?
Well, realistically, this is a sorta' older Hercules, from the looks
of him. This ain't no Kevin Sorbo, here, sorry. And, as we'll see
later, Herc's not got much upstairs. (His INT roll was a few pips
short of the minimum, you know what I'm sayin'?)
Oh, and Pelias' son manages to
infiltrate the crew, which shouldn't surprise anyone, since Jason
never realized he had already come face-to-face with his arch enemy
many scenes earlier.
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Here, in
the white toga, is Hercules. He's a bit long in the tooth, and not
the brightest lamp in the tent, if ya catch our drift.
Also, I honestly woulda'
pictured him a tad more muscular. |
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So, after the crew sets sail,
they float around for a while, wondering where the hell the Fleece
is. When they run out of food, Hera speaks to the crew via her
freaky wooden head, and tells them to go to a nearby island. The
catch is, they can only take provisions, nothing else. Quite simple
instructions, really. Straight from the mouth of a goddess. Crystal
clear: "Don't take anything but food." What kind of an imbecile
would ignore the dire warnings of a goddess?
Cue our man, Herc. While on the
island, The Hercster and another Argonaut discover a huge-ass
building with a 100' iron statue atop it. The building is the
ancient workshop of Hephaestus, metalworking god of the Greek
pantheon (and later, god of Hair Metal.) Lots of magic goodies are
inside, like weapons and armor and items of untold value, some
belonging to the Greek gods themselves. Hercules spots a gnarly
golden spear, and decides that he can't live without it. So he takes
it. (Siiiigh. One rule, Hercmeister. You had one goddam
rule to follow…)
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Whoa, whoa whoa!
Talos! Do we need to see THAT?!...
Oh. Wait. That's just his sword. Heh heh! Sorry. |
Of course, as any 2nd level
character would have known, the giant statue, Talos, comes to life,
and goes on a rampage across the island, stomp stomp, trying to turn
the Argonauts into smears of paste on the beach. Calling on Hera
again, Jason learns that to stop Talos, he needs to unplug the iron
stopper in his ankle, which is his only Achilles’ heel. (Wait,
sorry; wrong tale.)
This is accomplished, and Talos
vanquished, but in the process, Herc's buddy is smashed flat beneath
the collapsing titan. Hercules is heartbroken, and stays behind on
the island under the absolutely asinine premise that his buddy may
not have been crushed, and may just be lost.
Ummm…. Ok, Herc. Whatever.
Honestly, better off without ya.
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So the rest
of the Argonauts ditch Hercules and head back to sea.
The next island brings them upon
Phineus, a blind man cursed by Zeus to have two harpies steal his
food and drink every day, tormenting him with their screeching and,
assumedly, their piles of harpy dung.
Being the good guys, the
Argonauts rescue Phineus, trap the evil creatures without much ado,
and are on their way in two shakes of a harpy's hooters.
Our story is
just flyin' by, eh, kids?
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But to pass
the island, the Argo must sail through the dreaded Pass of Crunchy
Cliffs. (Or whatever.) This narrow pass comes to life when boats
attempt to navigate it, crushing them against the cliff walls or
scuttling them with boulders.
Luckily, as a ‘thank you’ for
rescuing him, Phineus had given Jason a medallion which, when tossed
into the water, summons Poseidon, the God of the Sea and Maritime
Disaster Movies. Poseidon holds the Crunchy Cliff walls apart with
much macho posturing, so the 'nauts can haul ass out of the canyon.
And as a bonus, on the way out of the channel, they rescue the sole
survivor of the last ship that tried to pass the cliffs: the sorta'
lovely Medea. Wouldn’t ya know it, Medea just happens to know the
island where the Golden Fleece is located! Sweeeeet!
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As soon as the location of
the Shiny Wool is known, however, Pelias' son, who was blending in
with the crew, attacks Jason. Jason whups his ass. Upon being
defeated by Jason, the son leaps overboard and disappears.
When the Argos finally arrives at
the island, the crew is welcomed by the king there. Why, yes,
they're told, there is indeed a fleece on the island, and it is
quite golden and sparkly!
But YOU shall never have it!
Guards! SEIZE THEM!...
You see, the evil son of Pelias
got there first. (No, I don't have the foggiest clue how one guy
swimming in the ocean managed to outdistance a boat of experienced
sailors who had a guide. He must have caught a tide or something.)
The evil son warned the king of the island that the Argonauts were
coming to take their prized dead sheep carcass, and of course the
king couldn't have any of that shit goin' down. So Jason was
imprisoned.
Of course, in the fifteen minutes
that Medea knew Jason, she grew to love him, and so she sets the
Argonauts free. Hey! Lookit that! Medea just happens to be the High
Priestess of the island! So she knows exactly where the Fleece is!
So the hearty band of wool thieves runs through the woods to where
the Golden Fleece, the fabled and prized possession of a nation, is
securely protected… by being casually hung on a tree branch in a
clearing.
Um, yeah. "Security" hadn't been
invented yet, apparently, in the time of the ancient Greeks. The
Fleece is just hangin' there in the middle of nowhere. Hell, if
Medea had been straight with them from the first, they didn't even
have to meet the damn king and his tribe, they coulda' just
waltzed in and plucked the thing from the bushes. Crap, man.
Seriously.
But wait!
There is a guardian! We should have known it wasn’t really
gonna be that easy, in a Greek tale. Making an appearance is… why,
it's the hydra! This many-headed dragon monster bites the snot out
of Pelias' son, who once again almost managed to beat Jason to the
goal. (This dude's fast, I’ll give him that!) After the son is
turned into hydra chow, Jason of course lops the monster’s heads
off, grabs the Fleece, and books it outa' town.
But juuuust
before they make it to the boat, the king catches up, and flings
hydra teeth on the ground, thus summoning Ray Harryhausen. No, no,
wait, he summons a kick-ass squad of skeletons, which appear from
the scattered teeth, and attack the Argonauts.
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INTERESTING NOTE: Ray
Harryhausen is the stop-motion animation king who did all the
special monster movement effects in the best old cheesy movies,
until CGI came along. Ray has often said in interviews that this
skeleton fight scene in J&tA was his favorite scene of any
movie work he'd ever done.
This goofy site
is a parody of Harryhausen's work, using this very scene from
Jason and the Argonauts.
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After defeating the skeletons
using sticks and stones (Heh heh! Get it?
'Sticks and stones may…'? Oh, never mind…),
Jason and his Argonauts rush aboard the boat and sail for home. Oh,
and Medea goes with him. I guess she's had enough of being the High
Priestess for a bunch of people who worship scintillating animal
hides.
The movie ends with the daring
escape and them sailing off into the sunset, so you don't really
know if Jason goes back and kicks Pelias' ass, but one would assume
so. I mean, hell, he's got the Fleece. I'm sure he had no trouble
raising an army with that. ("Hey, what's that? Some guy
waving around a dead animal skin? That reflects the sunlight with a
brilliant sheen? Why, that's great! Let's sign up for whatever he's
doing!")
So, anyway. I thought it was a
cool fantasy romp when I was younger, but watching it recently, I
must admit it's a bit slow. I found myself wishing for more killer
attack skeletons and fewer chubby half naked middle aged boat
builders.
As a quaint
story about legendary heroes and Greek myths go, it was adequate. As
far as recommended viewing for the gamers out there, I'd say, catch
it, but only if you've already seen
Clash of the Titans.
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